![]() DJs became central to the popularisation of disco records, which were often characterised by the way engineers, producers and remixers deployed a series of increasingly unconventional studio techniques to manipulate vocal and instrumental takes, and the genre peaked commercially in 1978. ![]() Disco recordings were often built on a propulsive underlying rhythm section, around which a wide range of instrumental and vocal techniques were developed, with structured songs and groove-oriented tracks both prominent. ![]() Coined to describe the broad range of danceable music played by disc jockeys in public discotheques and private parties in North America in the early 1970s, disco became a recognised genre of uptempo popular music that drew on elements of funk, gospel, jazz and soul.
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